by El Protoolio on Thu Dec 18, 2003 3:51 pm
The best lesson I learned from Malcolm was "keep it simple, stupid". In class while he was explaining things he would often say "this aint rocket science!" or "there's no rockets here!" meaning that recording didn't have to be complicated and esoteric. He believed in and mentioned Occams Razor quite a bit. Whenever there are two possible explainations or options, whichever one is the most simple is the correct answer.
He broke down compression, eq and mic usage in a way that made the whole recording process just click for me. It was like a light bulb turning on in my head.
I had the good fortune to interview Malcolm early this year for Tape Op just about two months before he died. He was sick, and described himself as miserable with a "chest cold", but he was still generous with his time and his conversation. He was world class as both a mixer and a human being. Respectful, unassuming and fucking hilarious.
As some of you know, his "chest cold" turned out to be lung cancer but I'm sure he was smoking, "poisoning the birds" as he called it, right up to the end. My interview didn't get the stories that he would tell in class and instead, with his permission, I have revised some of his articles and lectures and turned them into filler that will be published as needed.
I'd like to share his definitions of frequency ranges and how he applied them to music, as an example of his way of keeping it simple.
30 hz Balls
60 hz Bass
100 hz Useless
200 hz Warmth
700 hz Bass Presence
1 khz Level
3 khz Presence
5 khz Poison
8 khz Brilliance
Poison of course means that while a little 5K sounds great, too much of it will kill you. Like alcohol or other drugs. And to use too much of it means that others will look down on you.