New EA sendspace thread

[glynnisjohns]

Thanks again.

And again.

-Cheers Herbert!

[yaledelay]

Here
Charles De Goal Algorythmes
Excellent French post-punk. My old roomie turned me on to this; Albini had introduced it to him.
Wow this Charles De Goal record is great. Thanks!

Is there any more of this??? could someone post it??? this stuff is GREAT!!! like really fucking great...

[Chromodynamic]

Did anyone ever listen to that band "Lusk" they had one album, then it went out of print and I can't find it anywhere. I am being strongly discouraged from wasting precious University dollars on requesting it from the University of N. Texas, which, for some strange reason carries a lot of music I can't seem to find anywhere.

[SecondEdition]

I never listened to lusk, but didn't they have an ex-member of Tool in the band?

[qrj]

Big'n - Meal Ticket?

What is this on?

[bigc]

Assorted electronic mung:



Gas – Königsforst

One of Kompakt label owner’s Wolfgang Voigt’s many aliases. Layered, crackling orchestral samples over a relentless, muffled 4/4 kick drum. It’s actually pretty psychedelic in its own way (apparently inspired by ‘taking acid under German oaks’ in the forest it takes its name from outside Köln), this and the following album Pop are my favourite Gas releases.




Basic Channel Compiled

‘Reshaped’ semi-ambient mixes of the classic output from minimal Berlin stable.




Vladislav Delay - Multila

I think Sasu Ripatti is one of the very few genuinely original musicians working within the electronic mainstream, he’s always compelling regardless of guise and here as Vladislav Delay makes weird, constantly shifting sub-aquatic textures and fractured rhythms that occasionally coalesce. Multila is a collection of the two ChainReaction EPs released in 1999/2000.




Vladislav Delay - Entain
Second V.Delay album on now-defunct Mille Plateaux. This was the last release made with a basic analogue sequencer and a modified EHX Memory Man delay pedal and before the clean digital sound he later adopted. I really like the melancholy, murky feel of this album, it’s probably my favourite release of his. ‘Notke’ has a really cheeky, ambling peg-leg bassline.




Fennesz – Live in Japan

Christian Fennesz live…in Japan. This is a really nice mixture of rougher-edged improvisation and the more melodic texture-maze pieces found on Endless Summer which break through as the set progresses. Easily as good as the albums proper.




Jim O’Rourke – I’m Happy and I’m Singing and a 1,2,3,4

One of Jim’s many sides and one of the very best glitchy, electronic cut-up albums. Each track is taken from a separate live show and confers a different mood – ‘I’m happy’ is a forest of digital needles, ‘and I’m Singing’ is just wondrous, a mind-boggling collage piece and ‘a 1,2,3,4’ a greyscale, mithering drone.




Maurizio – M Series

Another collection of Basic Channel-related material in the form of thumping, spacious EPs from Mark Ernestus and Moritz von Oswald as Maurizio. The cavernous, metallic sound pioneered here more or less became the signature of the label.




Keith Fullerton Whitman – track4 (2waysuperimposed)

Limited to 200 copies on Room 40, this is a superb piece of warm, enveloping ambience buzzing with tiny details, curiously the track is supposed to sound exactly the same backwards as it does forwards.

Any chance I can talk you into reposting that Gas album? I'd love to hear them all, but that seems a bit of a hassle for you.

Thanks.

[Chromodynamic]

I never listened to lusk, but didn't they have an ex-member of Tool in the band?

Yeah, it had Paul D'amour (the bassist from Tool up until Aenima), Chris Pittman (of.. er, I don't know), Greg Edwards (Failure, Autolux), and someone else.. I have managed to keep at least one track from that album over the years but have gradually lost the rest..

[SecondEdition]

I recorded the James Gang performance of "Walk Away" I am so nuts about off of YouTube with Audacity and made a mp3 of it.

Here you go.

[cjh]

Any chance I can talk you into reposting that Gas album?

Here you go, champ. Best served in a damp autumn forest.

[jurgis rudkus]

Here
Charles De Goal Algorythmes
Excellent French post-punk. My old roomie turned me on to this; Albini had introduced it to him.

Wow this Charles De Goal record is great. Thanks!

Is there any more of this??? could someone post it??? this stuff is GREAT!!! like really fucking great...

I can put up his second lp. Not as good as the first but worth a go.

[yaledelay]

Here
Charles De Goal Algorythmes
Excellent French post-punk. My old roomie turned me on to this; Albini had introduced it to him.

Wow this Charles De Goal record is great. Thanks!

Is there any more of this??? could someone post it??? this stuff is GREAT!!! like really fucking great...

I can put up his second lp. Not as good as the first but worth a go.

yes please...

[The Code is Almighty]

Big'n - Meal Ticket?

What is this on?

unreleased

[qrj]

Shame. Great track.

[enframed]

Cerebral Caustic


Levitate

Both ripped at 192 using VBR. Both are OOP for the time being with no release in sight.

[anarchyinthebronx]

Cerebral Caustic


Levitate

Both ripped at 192 using VBR. Both are OOP for the time being with no release in sight.

Grazie.

[Model Citizen]

Thanks for the fall albums enframed.

[jurgis rudkus]

Here
Charles De Goal Algorythmes
Excellent French post-punk. My old roomie turned me on to this; Albini had introduced it to him.

Wow this Charles De Goal record is great. Thanks!

Is there any more of this??? could someone post it??? this stuff is GREAT!!! like really fucking great...

I can put up his second lp. Not as good as the first but worth a go.

yes please...

I don't have time to upload it today myself but here is something better: a link to a .rar of the second and third albums together!

De Goal

[choppy]

http://www.megaupload.com/?d=7Q9LH954

The main body of this group was Chris Pitman (who, back then, was a session guy, I think. Nowadays he's the keyboard player for Guns and Roses) and Paul D'Amour (who'd recently left Tool). Special guest through most of the album was my hero, Brad Laner. It's pretty much pop/psych/prog that's very distinctly 90's-Los Angeles-sounding as well. They made the album, put it out, didn't tour, got nominated for a grammy (for packaging,) didn't win, and that was that. I dearly love this record, and if anybody could tell me how exactly a sound like the solo in "Hotel Family Affair" is made, I'd greatly appreciate it.

[Chromodynamic]

http://www.megaupload.com/?d=7Q9LH954

The main body of this group was Chris Pitman (who, back then, was a session guy, I think. Nowadays he's the keyboard player for Guns and Roses) and Paul D'Amour (who'd recently left Tool). Special guest through most of the album was my hero, Brad Laner. It's pretty much pop/psych/prog that's very distinctly 90's-Los Angeles-sounding as well. They made the album, put it out, didn't tour, got nominated for a grammy (for packaging,) didn't win, and that was that. I dearly love this record, and if anybody could tell me how exactly a sound like the solo in "Hotel Family Affair" is made, I'd greatly appreciate it.

I just managed to find a decent torrent of this a day or so ago, but I am glad that other people are finding it as well! Thanks!

[numberthirty]

http://www.megaupload.com/?d=7Q9LH954

The main body of this group was Chris Pitman (who, back then, was a session guy, I think. Nowadays he's the keyboard player for Guns and Roses) and Paul D'Amour (who'd recently left Tool). Special guest through most of the album was my hero, Brad Laner. It's pretty much pop/psych/prog that's very distinctly 90's-Los Angeles-sounding as well. They made the album, put it out, didn't tour, got nominated for a grammy (for packaging,) didn't win, and that was that. I dearly love this record, and if anybody could tell me how exactly a sound like the solo in "Hotel Family Affair" is made, I'd greatly appreciate it.